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Juan Reynoso and Mexican

Don Juan Reynoso has arrived!

Juan Reynoso and sons
...live at The Festival of American Fiddle Tunes!

Words cannot express how proud we at Swing Cat are to be able to offer recordings of the phenomenal fiddling of the great Juan Reynoso, known as the "Paganini of Tierra Caliente." Señor Reynoso's virtuoso performances in Port Townsend, Washington, in 1996 and '97 set the Festival of American Fiddle Tunes on its collective ear.

Once virtually unknown outside of Mexico's Tierra Caliente - the "Hot Lands" - don Juan's style of fiddling is a blending of age-old traditional tunes with the powerful works of composers such as Isaías Salmerón (Reynoso's teacher), Juan Bartolo Tavira and don Juan himself. From fiery showpieces filled with trumpet-like fanfares to achingly beautiful waltzes, this music must be heard to be believed.

Legend has it that Isaías Salmerón possessed powers of sorcery that could make non-musicians to whom he handed a fiddle magically able to play, and even cause a fiddle resting in a chair to play by itself. Don Juan does not believe in sorcery, but those of us who have heard his wizardry on the instrument are convinced beyond the shadow of a doubt that he makes incredibly powerful magic happen with each bow stroke. Hear for yourself!


About the Music of Tierra Caliente

In Mexico's "Hot Lands" during the 1920s and '30s mileposts on the road of life such as christenings, weddings and funerals were passed to the pulse of the string band. These groups typically consisted of one or more violins, a guitarre panzona, or "belly guitar," (a small fretless guitar with a small deep body and a short neck), and a tamborita, (a small drum whose body and rim are carved from the wood of two species of native trees). These bands played a mixture of traditional music - songs whose roots often stretched back centuries and echoed with the sounds of Spain, Africa and the Caribbean - and composed songs.

Tierra Caliente had a number of exceptionally talented composers. Juan Bartolo Tavira was one. Bardomiano Flores, nicknamed "El Bravito," was another. One man who was truly in a class by himself, however, was the legendary Isaías Salmerón. Don Isaías contributed literally hundreds of sones, gustos and other musical works to the fabric of Tierra Caliente. To the best of our knowledge he never recorded, and was little-known outside of the region. A fondness for señoritas and mezcal undoubtedly shortened his lifespan, as he died at the age of 52 in 1942, but while the fire of his life still burned he took on a young discípulo. That kid, whose father called him a "crazy child" when he first asked for a violin, was Juan Reynoso.

Fifty years later, the boy who was once known as "Juan el guachi," (guachi meaning 'little' in the local indigenous language) is anything but little in the musical world. A true giant and the undisputed master of the devilishly difficult Calentana style, don Juan has recently seen his fame spread far beyond the confines of Tierra Caliente. His performances at the Festival of American Fiddle Tunes in Port Townsend, Washington, have been met with tumultuous applause, and there he finds dozens of eager students willing to try to tackle his difficult repertoire. Increasing fame has come to him at home as well, with the Mexican government awarding him the 1997 National Prize for Science and the Arts.

The Swing Cat says, "one listen and you'll fall in love."

On all these volumes don Juan is accompanied on guitar by his sons Neyo and Javier. While the listener is immediately struck by don Juan's genius, it soon becomes clear that Neyo and Javier are truly exceptional musicians as well, laying down stellar backup on music that is often quite difficult. The job of the two sons is not made any easier by the fact that don Juan is digging deep in his memory to come up with unusual and seldom played tunes. On the tape of one session, Neyo mentions that whenever the Reynoso family comes to the Fiddle Tunes festival he and Javier have to work particularly hard, as their father plays a lot of tunes that they have never heard before.

These live recordings were recorded digitally, and we at Swing Cat feel that you'll be quite pleased with the sound quality. If you've heard don Juan and his sons we know that you'll want these recordings for your collection. If you've not yet heard the "Paganini of the Tierra Caliente" prepare for a treat. This music is indescribably beautiful and passionate. The Swing Cat is certain that you'll love it.

Swing Cat has other Juan Reynoso recordings "in the can", including the superlative live performance presented by don Juan's quintet in Mexico City as part of Lindajoy Fenley's Encuentro de Dos Tradiciones festival, and hopes to release them soon.

Also in the planning stages are a series called Lessons With don Juan. Paul Anastasio recently had the distinct honor of being invited to don Juan's home for a series of lessons. During these lessons he both recorded and transcribed close to twenty of the most intriguing tunes from don Juan's vast repertoire. Swing Cat hopes to be able to make these lessons available soon, presenting CDs with the tunes played by don Juan both at performance tempo and more slowly. The lesson packages will also contain music manuscript for the tunes.

For more information write, e-mail or call Paul.

Juan Reynoso
Volume One: On Fire and In Concert

Compact Disk: Swing Cat 1507 (1998)
$18.00

Cut 2
(MP3 sample cut)

The maestro and his sons were on fire for this impassioned performance. From the opening bars of their theme song, "Viva Tlapehuala," the audience was transported to another world, a world startling in its directness and honesty. The Reynosos' vocal sones and instrumental gustos burned with the fire of a Spanish bullfight and dripped with passion like a dead-ripe mango. Don Juan's improvisations grew hotter with each song, his sons challenged to toss the master a set of chords that he couldn't dispatch in a dizzying flurry of sixteenth notes. The enraptured audience hung on their every note, exploding in wild applause at each numbers' conclusion. At last it was time for the final cadenza, and the last note - the saddest note - died away. The sadness, however, did not extend to all who were in the hall. A certain Swing Cat digitally captured the whole event, and now we offer you the chance to take this wild ride into the heart of Tierra Caliente as often as you like.

Volumes Two, Three and Four are distilled from four days of workshops presented by don Juan and his sons. These workshops were in actuality mini-concerts, as all concerned knew that we could gain the most from don Juan's time by simply allowing the maestro to play freely from his vast repertoire.

Juan Reynoso
Volume One: On Fire and In Concert

Transcription Book and CD: Swing Cat 1507B (1998,2004)
$28.00

This set includes both the original compact disk and a complete transcription of the music of Juan Reynoso. The transcription is extremely accurately notated with note-for-note transcriptions of the complete performance and includes guitar chords and some guitar countermelodies.



Juan Reynoso
Volume Two: Hot as Habanero

Compact Disk: Swing Cat 1508 (1998)
$18.00

Cut 1
(MP3 sample cut)

Volume Two features don Juan playing three powerfully emotional waltzes, including Juventino Rosas' justly famous "Sobre las Olas", known to those of us on the otro lado (the other side of the border) as "Over the Waves." We in America have generally only heard the first of this suite of waltzes, but on this recording don Juan and sons present their version of this piece in its entirety. In addition we hear fourteen tunes in various other styles from Tierra Caliente, including don Juan's own composition "El Toro sin Caporal" ("The Bull without a Leader"), several sones, both vocal and instrumental, a few gustos, a march and a beautiful danzon composed by don Juan's teacher Isaías Salmerón to honor one of his grandmothers. This is a superb collection guaranteed to make you fall in love with the hauntingly beautiful music of Mexico's Hot Lands.

Juan Reynoso
Volume Two: Hot as Habanero

Transcription Book and CD: Swing Cat 1508B (1998,2004)
$28.00

This set includes both the original compact disk and a complete transcription of the music of Juan Reynoso. The transcription is extremely accurately notated with note-for-note transcriptions of the complete performance and includes guitar chords and some guitar countermelodies.



Juan Reynoso
Volume Three: Viva Tierra Caliente

Compact Disk: Swing Cat 1509 (1998)
$18.00

Cut 1
(MP3 sample cut)

Volume Three showcases a magnificent performance of don Juan's theme song, "Viva Tlapehuala." While short versions of this composition by Isaías Salmerón - a tribute to the village where Calentana music was born - are found on all four volumes of this set, this collection alone features all four sections of the complete version. In addition you'll hear two danzon-rumbas, including "Costa Chica," a very old piece that don Juan remembers playing in the early part of the twentieth century "with Isaías and all the old guys." Neyo, Javier and don Juan give the full Reynoso treatment to several sones, gustos, and two gorgeous waltzes as well. Some of don Juan's most heartfelt playing is to be found in this extremely varied volume. One minute you'll hear music you'd swear was the soundtrack for a bullfight, and the next you'd think you'd mistakenly wandered into a Gypsy encampment in Transylvania. A fantastic musical journey!

Juan Reynoso
Volume Three: Viva Tierra Caliente

Transcription Book and CD: Swing Cat 1509B (1998,2004)
$28.00

This set includes both the original compact disk and a complete transcription of the music of Juan Reynoso. The transcription is extremely accurately notated with note-for-note transcriptions of the complete performance and includes guitar chords and some guitar countermelodies.



Juan Reynoso
Volume Four: With Passion

Compact Disk: Swing Cat 1510 (1998)
$18.00

Cut 1
(MP3 sample cut)

Volume Four contains our trump card - Isaías Salmerón's finest, most staggeringly creative work. When I was studying with don Juan in Mexico he told me of an incredible five day fiesta that took place in the early part of the twentieth century. The soiree featured the playing of don Isaías himself. The attendees were dressed to the nines and the music flowed day and night, but each afternoon precisely at five everything stopped for a performance of don Isaías' masterpiece, the seven-minute overture El Célebre. The nine sections of this piece take you through every emotion possible. Don Juan calls the work "capricious" and observes, "you never know where it's going to go." Where El Célebre goes is most assuredly where you will want to go, and as if that ride weren't enough we also offer over a dozen other great works, including don Juan's white-hot improvisations on La Malagueña. If there was ever any doubt why don Juan was crowned "El Paganini de la Tierra Caliente," this collection offers more than adequate sonic explanation.

Juan Reynoso
Volume Four: With Passion

Transcription Book and CD: Swing Cat 1510B (1998,2004)
$28.00

This set includes both the original compact disk and a complete transcription of the music of Juan Reynoso. The transcription is extremely accurately notated with note-for-note transcriptions of the complete performance and includes guitar chords and some guitar countermelodies.



Juan Reynoso
Genius of Mexico's Tierra Caliente

Compact Disk: Arhoolie CD509 (2003)
$18.00

Inocente Galindo
(MP3 sample cut)

Juan Reynoso was born under the blazing sun in Santa Domingo, Guerrero, in the heart of southwestern Mexico's Tierra Caliente on June 24th, 1912. The Mexican Revolution was still raging throughout the country and Juan never had the opportunity to go to school, but from the time he was a tiny child he was enchanted by the sound of the violin. One day an orphan boy who lived with the Reynosos stole a small violin from a nearby market, and he and Juan used to fight over who would get to play it. Juan eventually won out and soon began to learn the region's repertoire. Accompanied by his father Felipe, he would carry his violin to wherever people congregated, offering "tres por dos," or three pieces of music for two centavos. Juan soon began to spend time with the best musicians of the region, carefully learning the sones, gustos, pasodobles and waltzes of the Hot Lands entirely by ear.

As he grew to adulthood, Juan's musicianship and fame grew as well, and before long his group was highly sought after for weddings, christenings and parties. However, he loved to work in the fields as well, and for many years supported his large family by sowing and harvesting sorghum, sesame and corn. He now regrets not taking his music more seriously when he was younger. Juan did take a small group to Mexico City in the late 1940's, securing steady work on radio station XEX, but in a recent interview he said that he liked nothing about city life, and, after little more than a year in the city, he returned home to Tierra Caliente.

By the early 1990's some of Juan's recordings had begun to be distribute in the United States. His international fame, however, began to grow by leaps and bounds in 1996, when he and two of his sons were invited to play and teach at The Festival of American Fiddle Tunes in Port Townsend, Washington. Here his remarkable repertoire and passionate, heartfelt playing were introduced to a new and appreciative audience. With his star rapidly rising, Juan in 1997 received Mexico's highest arts award, the National Prize in Science and Arts. In additon, the folks at the Festival of American Fiddle Tunes were sufficiently impressed by his virtuosity that he and his group were invited to return each year. Sensing that these audiences truly appreciated the music he had devoted his life to learning, Juan's performances for the past eight years at the Fiddle Tunes festival have always been among his very best. The disc you are now listening to consists of a carefully chosen selection of the best recordings from Juan's festival appearances between 1997 and 2001. Most of these performannces have never been issued before, although a few have been drawn from four Juan Reynoso CDs originally issued on the Swing Cat label (www.SwingCatEnterprises.com). We sincerely hope that you enjoy this music, the life's work of Juan Reynoso, the Genius of Mexico's Hot Lands.

- Paul Anastasio, August, 2003

Cuts:
  1. Inocente Galindo
  2. El Tecolotito
  3. Son mudo
  4. Ajutchitlán
  5. ¿Por qué has venido?
  6. Viva Tlapehuala
  7. El desdichado
  8. El gavilán
  9. Amatepec
  10. Muñeca sin alma
  11. Tlapehuala lucido
  12. Negra mala
  13. Coyuca de Catalán
  14. Viva Cutzamala
  15. La torolita


We at Swing Cat hope that you will decide to let the Reynoso family come and live in your CD collection. The Reynosos are paid a generous royalty for each CD sold. If you love their music as much as we do, rather than taping copies for your friends we ask you to support the Reynosos by ordering additional CDs directly from Swing Cat. This will also help make it possible for us to issue additional volumes featuring the beautiful music of don Juan and his family in the future.

Other Mexican Music

Dos Tradiciones Volume One

Compact Disk: Dos Tradiciones DTRCD 01 (1999)
$18.00

Dueña de mi Alma
(MP3 sample cut)

Our newest offering from south of the border is a delightful potpourri of Mexican and American music recorded primarily during the second and third annual Encuentro de Dos Tradiciones (Encounter of Two Traditions) festivals in sunny Mexico. Included here are the first commercial recordings of the twin fiddle team of don Juan Reynoso and his student, Paul Anastasio. Two fiery pasodobles, a beautiful waltz and an exotic, Cuban-influenced danzon are performed here to Juan's exacting standards.

In addition we hear from Seattle blues guitarist and vocalist extrodinaire Del Rey, accompanied by James Mason (Molly Mason's fiddling brother) swinging out on four jazzy dance tunes from the nineteen-twenties through the forties. Grupo Yolotecuani (Tiger Heart) from Tixtla, Guerrero, performs a courting dance entitled La Periquita, and James Leva and friends back Carol Elizabeth Jones on two of her Appalachian-influenced original compositions. As if this weren't enough, we are treated to three Cajun favorites, a huapango from the Huastecan region of Mexico, and even a duet rendition of Sweet Georgia Brown with Javier Reynoso on guitar and Paul Anastasio on fiddle. Detailed liner notes in both English and Spanish guide the listener through this eminently listenable CD. Highly recommended!

Musica de Ichupio, Michoacán, México
Mirando al Lago

Compact Disk: Swing Cat 1615 (2002)
$18.00

Flor Blanca
(MP3 sample cut)

Mirando al Lago (Looking Toward the Lake) is an orquestra de cuerdas, or string band from Ichupio, a small P'urhepecha village located on the shores of beautiful Lake Pátzcuaro in the state of Michoacán. The group was named after Don Pedro Dimas' signature composition created for La Danza de los Tumbis / The Dance of the Young People.

In P'urhepecha communities throughout northern Michoacán, music is very much an integral part of traditional life. Feast days, the Day of the Dead, weddings and baptisms are richly woven with the bright colors of flowers, the smell of steaming mole and of course the strains of traditional music. Bandas (brass bands), orquestas de cuerdas (string bands) and singers of pirekuas (songs) are part of the region's musical heritage.

This recording exemplifies one aspect of a vibrant culture, containing 20 exceptional compositions by Don Pedro Dimas as well as two traditional pieces.

Master musician Pedro Dimas is one of Michoacán's folkloric treasures. His only recording -- "Orquesta de Cuerdas de Ichupio" was an L.P. produced by the Casa de Artesanias in Morelia some years ago which is no longer available. It is our goal at Swing Cat to make this exceptional music available to a wider listening audience and save for posterity.





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Last updated November 10, 2007.